The Afterlife of Medieval Music Manuscripts
Read More![This loose music fragment was found inside the binding of one volume of the works of the Italian Reformer Girolamo Zanchi. The strip was cut down from a leaf of a Gradual for Sarum Use from the proper chants for Mass on Passion Sunday: Sequence Eripe me domine, Offertory Confitebor tibi domine, Communion Hoc corpus pro vobis; and on Monday in Passion Week: Introit Miserere mei domine.
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<b>Author:</b> Girolamo Zanchi<br>
<b>Title:</b><i> Operum theologicorum D. Hieronymi Zanchii tomus primus [-octavus] </i> [Works of Saint Jerome] (Geneva, 1605-1613)<br>
<b>Shelfmark:</b> <a href="https://idiscover.lib.cam.ac.uk/permalink/f/1nnjft8/44CAM_ALMA21606041710003606"> M.3.22-24</a>](https://photos.smugmug.com/Exhibitions/Heavenly-Harmony/Afterlife-Music-Manuscripts-Gallery/i-RjjSZkG/0/44827c21/M/M-003-024-002-M.jpg)
This loose music fragment was found inside the binding of one volume of the works of the Italian Reformer Girolamo Zanchi. The strip was cut down from a leaf of a Gradual for Sarum Use from the proper chants for Mass on Passion Sunday: Sequence Eripe me domine, Offertory Confitebor tibi domine, Communion Hoc corpus pro vobis; and on Monday in Passion Week: Introit Miserere mei domine.
Author: Girolamo Zanchi
Title: Operum theologicorum D. Hieronymi Zanchii tomus primus [-octavus] [Works of Saint Jerome] (Geneva, 1605-1613)
Shelfmark: M.3.22-24
![This loose music fragment was found inside the binding of one volume of the works of the Italian Reformer Girolamo Zanchi. The strip was cut down from a leaf of a Gradual for Sarum Use from the proper chants for Mass on Passion Sunday: Sequence Eripe me domine, Offertory Confitebor tibi domine, Communion Hoc corpus pro vobis; and on Monday in Passion Week: Introit Miserere mei domine.
<br><br>
<b>Author:</b> Girolamo Zanchi<br>
<b>Title:</b><i> Operum theologicorum D. Hieronymi Zanchii tomus primus [-octavus] </i> [Works of Saint Jerome] (Geneva, 1605-1613)<br>
<b>Shelfmark:</b> <a href="https://idiscover.lib.cam.ac.uk/permalink/f/1nnjft8/44CAM_ALMA21606041710003606"> M.3.22-24</a>](https://photos.smugmug.com/Exhibitions/Heavenly-Harmony/Afterlife-Music-Manuscripts-Gallery/i-RjjSZkG/0/44827c21/Ti/M-003-024-002-Ti.jpg)
![This late thirteenth- or early fourteenth-century breviary contains music and liturgy from the Sarum Rite. It has been loosely stitched to the text block of a seventeenth-century printed book relating to geography.
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<b>Author:</b> Jacques Michelet <br>
<b>Title:</b> <i>Discours de geographie contenant les principales pratiques pour les descriptions de la Terre, et de la mer</i> [A geographical discourse, containing practical principles for describing the Earth and sea] <br>
<b>Shelfmark:</b> <a href="http://idiscover.lib.cam.ac.uk/permalink/f/1nnjft8/44CAM_ALMA21413408810003606"> D.20.21</a>](https://photos.smugmug.com/Exhibitions/Heavenly-Harmony/Afterlife-Music-Manuscripts-Gallery/i-MfQqk3p/0/d5db9068/Ti/D-020-021-048-Ti.jpg)
![<b>Author:</b> Girolamo Zanchi<br>
<b>Title:</b><i> Operum theologicorum D. Hieronymi Zanchii tomus primus [-octavus] </i> [Works of Saint Jerome] (Geneva, 1605-1613)<br>
<b>Shelfmark:</b> <a href="https://idiscover.lib.cam.ac.uk/permalink/f/1nnjft8/44CAM_ALMA21606041710003606"> M.3.22-24</a>](https://photos.smugmug.com/Exhibitions/Heavenly-Harmony/Afterlife-Music-Manuscripts-Gallery/i-2NF6rSb/0/1f42892d/Ti/M-003-024-001-Ti.jpg)
